Senses breaking down, slowly fade as a beat.
There ain’t no way to rush this if we’re doing it right.
UK dynamic duo Oliver Lee and James Carter aka Snakehips are on a roll, following up the smash hit with Tinashe “All My Friends” with “Money On Me”. This track collaboration with Anderson.Paak is the perfect blend of soul, R&B, and electronica, which, as I have noticed has been their style in practically all their tracks. They impeccably place the right bass lines and drops, synth accents, and soulful voice parts just at the right time, frequency, and pace.
Along with the release of the track, they announced plans of releasing a four-track EP named after the Tinashe x Chance the Rapper hit on the 15th of April, via RCA. I couldn’t wait to get my hands on that. For more updates on the duo, like their Facebook page. You can also follow them on Songkick to get the latest news on where they will be playing live next.
Andy Cato and Tom Findlay, better known as the duo Groove Armada, just recently launched the first instalment of their Little Black Book series album under the UK Label Moda Black. Being considered as one of the veterans in the dance music scene was very evident in this album as they were able to stick to the sound they are more known for – steady, synth-laden house music backed up by groovy basslines that kind of reminds you of a Night at the Roxbury. Despite the proliferation of many other dance music artists in the biz, they have clearly set themselves apart by having this distinct 90s rave/disco-inspired and (thank God for this) bass drop-free sound, which eventually produces nothing but top quality house music that’s very easy on anyone’s musical palate.
The 80-minute musical journey offered by the first disc includes 7 new tracks and other Groove Armada’s original music and remixes from the past years. Clear standout tracks were Push, Soho Disco, Alright, and Rescue Me. What I like most about this album would be the clean and smooth transitions in between songs. I’m a sucker for this kind of thing as it highly encourages non-stop dancing from the listener’s part. It was very obvious that the tracks were well-made and thought of, with the first half mostly having that chill dance/discotheque vibe, purposefully done to build up to the album climax. Post-Alright, you will notice that the tracks are mostly bass-heavy, intertwining in soulful vocal samples, which is the success formula of the Groove Armada dance equation.